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Fine art print of original oil painting on Canvas.
In a quiet bend where creek and tide draw close, Inlet lingers with deep, tannin-rich water that moves in slow conversation with land. Reeds lean into the current, catching what light slips across the surface, while the sandy edge dissolves into warm reds and purples shaped by flow, silt, and time. This work sits inside the same landscape as the photograph I titled Tannin Creek — my renaming of the so-called Boat Creek. Both hold deeper stories of this place, as the creek’s curve carries histories not visible at the surface. Here, colour presses into shadow, movement thickens, and the meeting of water and land becomes a kind of remembering: the earth’s quiet intelligence revealing itself through subtle shifts in tone, texture, and depth. In Inlet, the viewer is invited to trace the darkening waters, the tangled reeds, and the slow unfurling of a tidal creek — feeling the pull of a landscape always in motion, while balancing the weight of what flows deep beneath the surface.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
Fine art print of original oil painting on Canvas.
In a quiet bend where creek and tide draw close, Inlet lingers with deep, tannin-rich water that moves in slow conversation with land. Reeds lean into the current, catching what light slips across the surface, while the sandy edge dissolves into warm reds and purples shaped by flow, silt, and time. This work sits inside the same landscape as the photograph I titled Tannin Creek — my renaming of the so-called Boat Creek. Both hold deeper stories of this place, as the creek’s curve carries histories not visible at the surface. Here, colour presses into shadow, movement thickens, and the meeting of water and land becomes a kind of remembering: the earth’s quiet intelligence revealing itself through subtle shifts in tone, texture, and depth. In Inlet, the viewer is invited to trace the darkening waters, the tangled reeds, and the slow unfurling of a tidal creek — feeling the pull of a landscape always in motion, while balancing the weight of what flows deep beneath the surface.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.