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Fine art print of acrylic painting on canvas.
This painting gathers memories of water and light — from lily pads and stone-edged pools in Kakadu, on Bininj/Mungguy Country, to shimmering fish in ponds — shaped first by post-war Europe — encountered among the ferns and gullies of Wurundjeri Country. The trees themselves are imaginal, conjured into being to hold a dance of light and shade. They invite the viewer to linger, to delight in the shadows, and to dip gently within the pleasures of the senses.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Fine art print of original acrylic painting on canvas.
The sun’s flame sinks at the horizon as the tide lifts and rises, each carrying wild forces of change. Caught between flame and sea, the scene becomes a threshold — luminous, unsettled, urgent and yet still. In Liminal Wild, Flame and Tide reflects the energy of place, never contained or containable, speaking to beauty, the past, and to the uncertain futures pressing against us.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
On Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, dusk gathers over the penguin colony at Summerland. Once covered by houses, this land was reclaimed to protect the birds — a return of sorts, where the colony could swell again in sound and number. Yet the word “colony” holds a double weight: for the penguins, fragile survival and return; for the settlers, the imprint of occupation, tourism, and the heaviness of infrastructures still laid across the land. In Liminal Wild, this painting lingers in that unsettled space, where beauty and survival move against the weight of human impacts and contested belonging.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil paintng on canvas.
Lush and rich, this painting lingers at the threshold between what is real and what is imagined. Its stylised botanicals echo Rousseau, evoking enchantment while recalling lenses through which colonial painters framed new landscapes as exotic and unfamiliar. Here, the scene shifts: the bird, and a hidden figure beyond it, return the gaze in stillness and silence. The work unsettles how beauty is seen - and is itself the seer.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil painting on Canvas.
In a quiet bend where creek and tide draw close, Inlet lingers with deep, tannin-rich water that moves in slow conversation with land. Reeds lean into the current, catching what light slips across the surface, while the sandy edge dissolves into warm reds and purples shaped by flow, silt, and time. This work sits inside the same landscape as the photograph I titled Tannin Creek — my renaming of the so-called Boat Creek. Both hold deeper stories of this place, as the creek’s curve carries histories not visible at the surface. Here, colour presses into shadow, movement thickens, and the meeting of water and land becomes a kind of remembering: the earth’s quiet intelligence revealing itself through subtle shifts in tone, texture, and depth. In Inlet, the viewer is invited to trace the darkening waters, the tangled reeds, and the slow unfurling of a tidal creek — feeling the pull of a landscape always in motion, while balancing the weight of what flows deep beneath the surface.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
Fine art print of original oil painting on canvas.
Crimson waratahs flare brightly, their petals dense and luminous in the frame. Yet among this richness, a crow holds its place. Its dark form unsettles the bloom-filled scene, shifting it from mere celebration into something more watchful. Often imagined as a messenger, here the bird is also a witness — turning its gaze outward, meeting our own. The painting asks what it means to encounter beauty under watch, where the viewer is no longer only the observer but also the one observed.
Available up to 40 × 32 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil painting on canvas.
Within the lands and waters of the Kulin Nation, Magic Beach, Walkerville shows a hidden beach in this quiet coastal town, revealed only at low tide and opening towards Wilson’s Promontory.
Alison Lester’s beloved children’s book Magic Beach drew inspiration from this same place, weaving it through stories of childhood wonder. This painting explores that sense of enchantment in the meeting of sea and land, holding how beaches can be experienced as idyllic and magical, yet carry hidden stories of invasion and resistance.
“All water has a perfect memory and is forever trying to get back to where it was.” — Toni Morrison
Available in up to 40 × 40 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
Within the grove, light shifts and shadows play, the air holding a quiet stillness. A fallen branch lies across the ground, a trace of storms that bring both wreckage and renewal. The forest floor receives what falls. In Inside Edges, Within the Grove reflects the refuge and containment of sheltered places, and gently balances the unease that stirs as witness at the edges.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
Beneath the ocean waters, forms dissolve and reform in shifting play — seen and unseen, familiar and unknowable. Immersion here opens into mystery, where what surrounds us cannot be fully held yet holds us and reverberates through our senses. These echoes are not only of the sea but of ourselves, swimming at the edges of our awareness. Echoes of the Deep moves between the ocean’s wild strangeness and the mysteries that persist just out of reach, or surfacing in ways we cannot always name.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
At Berry’s Beach on Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, lies a semi-enclosed pool, sometimes fierce and dangerous, other times shallow, clear, and languid. Each tide brings a new rhythm, with weeds and fragments drifting and tumbling through water before they wash ashore. Within Drift and Tangle, this painting connects to smaller photographic works that hold these washed-up traces, a reminder that water carries its own presence and agency. We are not the centre here, it is water’s turn.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil on canvas.
Amid a vivid, Rousseau-like backdrop of botanicals, a bird comes to rest. It holds presence with quiet gravity, its feet planted firmly on its landing as the scene around it shimmers with dreamlike intensity. In Liminal Wild, Magic Landing lingers in the tension between the imagined and the embodied — where arrival is both magical and real, fleeting and grounded, and where flight into beauty carries its own weight.
Available up to 40 × 32 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
A short-tailed shearwater takes flight, its body radiant against the air. Each year, these birds migrate from Millowl (Phillip Island) to Alaska — a 30,000 km journey — and return. The chicks make the journey alone, after just a few weeks on their own — without being shown the way. Their flight speaks to forms of embodiment and connection we can barely comprehend. In Liminal Wild, Shear Brilliance celebrates this brilliance of being, where the ordinary seabird becomes an uncanny crimson presence, reminding us that what is most familiar can also be most extraordinary.
Available in A4 only, on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
In the shallows, trees lean into themselves — mirrored and swaying. Light slips between their forms, folding water and wood into a single trembling image. For a moment, the world forgets which side is real.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
At Berry’s Beach, facing the wildness of the Southern Ocean, the bay’s shelter falls away. Waves here crash and pull, and yet within the surge a quiet stillness remains. The body yields into colour as it watches — mauves and ember-rose — as internal tides align with the outer and light threads the water’s surface. A meeting of fire and water.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
From Saltwater Creek to Red Rocks, this image holds the drift of water and air — where silver light gathers in slow tides and currents. Remembering this particular kind of morning light doesn’t photograph easily, and then sometimes it does. A cool silvering, the whole surface fractured and glittering. Quiet.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
At the margin where rock meets tide, sunlight dances through shifting water, weaving colour, shadow, and motion into a living mosaic. Each flicker of light refracts across the stone, revealing moments of quiet radiance, sparkle and stillness. Shimmering Edge captures an instant of attention at nature’s smallest scale, where beauty gathers not in vast horizons but in the delicate play between movement and pause.
Available in 8×10 only.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
Its names are less known than its presence — a quiet bend where the water runs tea-dark from sand and root. It carries stories older than any map, still held in the curve of the land. Here, at the edge of the Ventnor dog beach, the world slows to scent, sound, and movement. The dogs already know what we forget — how to revel in the senses, how to play, watch, and make contact. In the dance of tannin and tide, the creek moves quietly, speaking to those who listen.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Some days it reads as silver. People speak of silver waters.
On others, the light breaks open into diamonds — and sometimes, pink diamonds. I call this Magic Diamonds.
As summer comes and goes, the relationship between light and water shifts in Westernport Bay — longer days, sparkle and shimmer, and moments that stop you mid-stride.
Available in 8 × 10, on:
Paper: Hahnemühle Photo Rag Metallic — the weight and metalic surface renders highlights with luminosity — depth in the darks, brilliance in the lights.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
After water recedes, its patterns linger — movement stilled and inscribed in stone. Ancient tides seem to turn within the rock; lines of sediment trace the gestures of vanished currents, mapping motion’s memory.
Here, earth and sea exchange forms. What was once liquid becomes weight; what was once force becomes pattern. In the hush after tide, Earthen Currents invites me to witness how land itself moves — slowly, imperceptibly — shaped by a shared, enduring pull. A silent choreography unfolds beneath my feet, where the memory of water is written in earth.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Close to the edge, the branches lean into the wild of weather’s force — shaped by wind, rain, and salt until their gestures echo the air and the landscape catches breath. These trees no longer shelter so much as carve the space between, their forms both boundary and offering. Wind Carved traces the living edge — a container held open to what moves through it, an invitation to stretch beyond.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Twisting toward the wind, the tree holds its ground — roots deep in sand, branches etched against the light. A patient watcher of storms and seasons, standing between earth and air.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Where water meets stone, the earth writes in layers. Mineral and memory mingle; the rock bears the gestures of flow, and the soft abrasion of time turns visible.
Taken at dusk, when light drops and surfaces gleam with quiet depth, Etched Time traces a conversation between what endures and what moves. Each line, each stain of colour, carries the sea’s calligraphy — an ongoing wash of erosion, patience, and return.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
A salt-bleached relic lies where the ocean releases, but never fully relinquishes. Sand pools in its quiet hollows; salt has worn it smooth, patient as breath.
Sea's Keeping is a moment suspended—caught between belonging and surrender. Here, the sea returns what it cannot keep, yet never truly gives it back. What’s left is a memory shaped by tide and time: a pause between loss and homecoming.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
A giant kelp holdfast — glossy, black, and intricate — lies washed ashore, its tendrils curling around a hollow that once gripped rock. Slick with salt and loss, it echoes the work of attachment: unlike roots, kelp does not grow into what it clings to; it holds fast only by touch. Around it, soft pink weed gathers like breath after letting go.
Dark Bloom lingers in that space between holding and release, where even what has lost its hold still carries the memory of touch — a quiet paradox of how life anchors itself to shifting ground, and how even the strongest hold is made to let go.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
Premium: Customwood — your fine art print mounted on a 9mm customwood panel, smooth and strong and with a tactile, woody warmth. Sits flush to the wall, no frame and ready to hang.
Tangled Flame unfolded slowly — what once felt too intense has become magnetic. Its shifting light and layered textures feel visceral, almost alive, moving between warmth and stillness. A reminder that beauty often begins in what unsettles us and becomes luminous when we stay.
Available on:
Paper: Canson Baryta Photographique II Matt, a smooth, museum-grade paper with a soft sheen, offering rich colour, deep blacks, and fine detail.
Alupanel (premium): A fine art print flush-mounted on a rigid aluminium panel, clean, frameless and ready to hang. It holds colour at archival standards, sitting flat and close to the wall with a quiet physical presence.
Scarlet Drift captures the quiet choreography of seaweed, light, and water — a tangle of red and rose tones in conversation with the tide. It feels both radiant and grounded, a small fragment of the ocean’s dance.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Where tide and light withdraw together, the surface holds what remains — a shimmer caught between motion and memory. Afterlight rests here, soft and slow, the sea’s breath of gold.
Paper: Hahnemühle Photo Rag Metallic, with a quiet, pearlescent shimmer that lets the light shift gently as you move.
Soft fragments of seaweed and leaf gather together in dusty pinks and greys — asking me to stay. Faded fronds curl among brittle leaves, echoing the delicacy of petals after bloom. In this meeting of salt and earth, colour lingers like memory — fleeting, tender, and alive in its passing.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Lichen is a collaboration written across bark — fungus, algae, water, and air living as one slow body. It grows where others can’t, patient as stone, soft as breath.
I reflect here on my own ancestral work: the long weaving of relationship, the quiet tending of thresholds where worlds meet.
Available in 10 × 8 inches only.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
Bower spinach, an edible groundcover that grows profusely on the island, moves across the dunes like a tide of green. It drapes with grace and quiet persistence over branches and fallen trunks — an act of co-creation, transforming each into a new form.
In The Gathering, new characters emerge and seem to speak together — a conversation, perhaps, between plant, water, and time.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
A green corridor between worlds — where air thickens, blossoms blur, and moss catches the shimmer of small wanderers. The veil feels thin here, the wild alive with quiet watching.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet, tactile presence.
The air moves in slow chords across the field, stirring what lies between stillness and storm. Branches twist, grasses bow — everything tuned to the same invisible pull. Even silence has its current.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet, tactile presence.
A mat of seaweed and seagrass — dark wiry strands, branching black lace, with threads of peach, copper, and pale yellow-green woven in a wild, organic tangle. I am drawn to the intricate weave of textures, where chaos becomes pattern and tapestry forms from the debris.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
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