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Immersive rather than subtle, the room changes when Mineral is in it. Colours shift with the light — purples, blues, warm stone and sand that read differently morning to evening, lingering in the senses like a beach walk at dusk.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-linen blend retains richness while maintaining a natural, slightly textured finish. It drapes well on the table while remaining structured enough for everyday use, making it well suited to a wide range of home textiles including tablecloths, runners, napkins, cushions, curtains, wall hangings, and other home accessories.
Ordering information:
Fabric is sold in pattern repeat increments with a minor allowance to preserve the integrity of the design. The minimum order is two repeat lengths (1.1 m). Fabric is supplied as a continuous length and pattern placement may vary slightly depending on how the fabric is cut.
This design can be ordered via email at any length (by repeat) or in a wider range of fabrics. The price for cotton linen (here), a lighter organic cotton or a durable recycled and organic cotton blend is $35 per 54cm repeat length. The price for velvet is $50 per repeat length, or linen $65 per repeat length. Get in touch for details on these or other fabric options.
Pattern repeat: 54 × 44cm
Fabric composition: 94% cotton / 6% linen.
Fabric weight: approx. 228 GSM.
Printable width: approx. 138 cm.
Production: fabric woven in Pakistan with printing and finishing completed in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer.
Certification: OEKO-TEX Standard 100 (11-29208) — certified free from harmful substances, tested for skin safety.
Durability: Martindale test result approx. 35,000 rubs — rated for heavy everyday use.
Fine art print of original acrylic painting on canvas.
The sun’s flame sinks at the horizon as the tide lifts and rises, each carrying wild forces of change. Caught between flame and sea, the scene becomes a threshold — luminous, unsettled, urgent and yet still. In Liminal Wild, Flame and Tide reflects the energy of place, never contained or containable, speaking to beauty, the past, and to the uncertain futures pressing against us.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
On Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, dusk gathers over the penguin colony at Summerland. Once covered by houses, this land was reclaimed to protect the birds — a return of sorts, where the colony could swell again in sound and number. Yet the word “colony” holds a double weight: for the penguins, fragile survival and return; for the settlers, the imprint of occupation, tourism, and the heaviness of infrastructures still laid across the land. In Liminal Wild, this painting lingers in that unsettled space, where beauty and survival move against the weight of human impacts and contested belonging.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil paintng on canvas.
Lush and rich, this painting lingers at the threshold between what is real and what is imagined. Its stylised botanicals echo Rousseau, evoking enchantment while recalling lenses through which colonial painters framed new landscapes as exotic and unfamiliar. Here, the scene shifts: the bird, and a hidden figure beyond it, return the gaze in stillness and silence. The work unsettles how beauty is seen - and is itself the seer.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil painting on Canvas.
In a quiet bend where creek and tide draw close, Inlet lingers with deep, tannin-rich water that moves in slow conversation with land. Reeds lean into the current, catching what light slips across the surface, while the sandy edge dissolves into warm reds and purples shaped by flow, silt, and time. This work sits inside the same landscape as the photograph I titled Tannin Creek — my renaming of the so-called Boat Creek. Both hold deeper stories of this place, as the creek’s curve carries histories not visible at the surface. Here, colour presses into shadow, movement thickens, and the meeting of water and land becomes a kind of remembering: the earth’s quiet intelligence revealing itself through subtle shifts in tone, texture, and depth. In Inlet, the viewer is invited to trace the darkening waters, the tangled reeds, and the slow unfurling of a tidal creek — feeling the pull of a landscape always in motion, while balancing the weight of what flows deep beneath the surface.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
Fine art print of original oil painting on canvas.
Crimson waratahs flare brightly, their petals dense and luminous in the frame. Yet among this richness, a crow holds its place. Its dark form unsettles the bloom-filled scene, shifting it from mere celebration into something more watchful. Often imagined as a messenger, here the bird is also a witness — turning its gaze outward, meeting our own. The painting asks what it means to encounter beauty under watch, where the viewer is no longer only the observer but also the one observed.
Available up to 40 × 32 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil painting on canvas.
Within the lands and waters of the Kulin Nation, Magic Beach, Walkerville shows a hidden beach in this quiet coastal town, revealed only at low tide and opening towards Wilson’s Promontory.
Alison Lester’s beloved children’s book Magic Beach drew inspiration from this same place, weaving it through stories of childhood wonder. This painting explores that sense of enchantment in the meeting of sea and land, holding how beaches can be experienced as idyllic and magical, yet carry hidden stories of invasion and resistance.
“All water has a perfect memory and is forever trying to get back to where it was.” — Toni Morrison
Available in up to 40 × 40 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
Within the grove, light shifts and shadows play, the air holding a quiet stillness. A fallen branch lies across the ground, a trace of storms that bring both wreckage and renewal. The forest floor receives what falls. In Inside Edges, Within the Grove reflects the refuge and containment of sheltered places, and gently balances the unease that stirs as witness at the edges.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
Beneath the ocean waters, forms dissolve and reform in shifting play — seen and unseen, familiar and unknowable. Immersion here opens into mystery, where what surrounds us cannot be fully held yet holds us and reverberates through our senses. These echoes are not only of the sea but of ourselves, swimming at the edges of our awareness. Echoes of the Deep moves between the ocean’s wild strangeness and the mysteries that persist just out of reach, or surfacing in ways we cannot always name.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of acrylic painting on canvas.
This painting gathers memories of water and light — from lily pads and stone-edged pools in Kakadu, on Bininj/Mungguy Country, to shimmering fish in ponds — shaped first by post-war Europe — encountered among the ferns and gullies of Wurundjeri Country. The trees themselves are imaginal, conjured into being to hold a dance of light and shade. They invite the viewer to linger, to delight in the shadows, and to dip gently within the pleasures of the senses.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Acrylic painting on canvas.
61cm x 61cm.
At Berry’s Beach on Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, lies a semi-enclosed pool, sometimes fierce and dangerous, other times shallow, clear, and languid. Each tide brings a new rhythm, with weeds and fragments drifting and tumbling through water before they wash ashore. Within Drift and Tangle, this painting connects to smaller photographic works that hold these washed-up traces, a reminder that water carries its own presence and agency. We are not the centre here, it is water’s turn.
Fine art print of acrylic painting on canvas.
At Berry’s Beach on Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, lies a semi-enclosed pool, sometimes fierce and dangerous, other times shallow, clear, and languid. Each tide brings a new rhythm, with weeds and fragments drifting and tumbling through water before they wash ashore. Within Drift and Tangle, this painting connects to smaller photographic works that hold these washed-up traces, a reminder that water carries its own presence and agency. We are not the centre here, it is water’s turn.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Fine art print of original oil on canvas.
Amid a vivid, Rousseau-like backdrop of botanicals, a bird comes to rest. It holds presence with quiet gravity, its feet planted firmly on its landing as the scene around it shimmers with dreamlike intensity. In Liminal Wild, Magic Landing lingers in the tension between the imagined and the embodied — where arrival is both magical and real, fleeting and grounded, and where flight into beauty carries its own weight.
Available up to 40 × 32 inches.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Saltwoven draws from the edge where things gather — seaweed, grasses, fragments carried and caught. Across the table, it becomes a field of quiet movement. Dense, layered, and slightly wild, light moves across it, pulling out deep maroons, salt greys, and shadowed blues. A living surface for living otherwise.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-line blend retains richness while maintaining a natural, slightly textured finish. It drapes well on the table while remaining structured enough for everyday use, making it well suited to a wide range of home textiles including tablecloths, runners, napkins, cushions, curtains, wall hangings, and other home accessories.
Ordering information:
Fabric is sold in pattern repeat increments with a minor allowance to preserve the integrity of the design. The minimum order is three repeat lengths (1.4 m). Fabric is supplied as a continuous length and pattern placement may vary slightly depending on how the fabric is cut.
This design can be ordered via email at any length (by repeat) or in a wider range of fabrics. The price for cotton linen (here), a lighter organic cotton or a durable recycled and organic cotton blend is $30 per 45cm repeat length. The price for velvet is $45 per repeat length, or linen $55 per repeat length. Get in touch for details on these or other fabric options.
Pattern repeat: 45 × 45cm
Fabric composition: 94% cotton / 6% linen.
Fabric weight: approx. 228 GSM.
Printable width: approx. 138 cm.
Production: fabric woven in Pakistan with printing and finishing completed in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer.
Certification: OEKO-TEX Standard 100 (11-29208) — certified free from harmful substances, tested for skin safety.
Durability: Martindale test result approx. 35,000 rubs — rated for heavy everyday use.
From branches of Millowl's coastline, twisted by wind and salt, woven into an immersive, trance-like pull. Within a wild weave of trunks, openings appear unexpectedly, a glimpse of blue transforms and holds. Woven Time will draw you in and, if you let it, keep you there.
This hemmed tablecloth is made from a durable cotton–linen fabric with a natural woven texture that gives printed designs depth and softness.
Each tablecloth is 1.95 × 1.35m, cut from the printed fabric and finished by me with a stitched double-fold hem with mitred corners. It works beautifully on round and oval tables, as well as standard tables within these dimensions — and custom sizes can be made to order. Pictured fresh from the printer (image 1) and as printed fabric on table(image 2). Finished tablecloths will be double hemmed as described above.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-linen blend retains richness while maintaining a natural, slightly textured finish. It drapes well on the table while remaining structured enough for everyday use, making it suitable for daily meals, gatherings, and layered table settings.
Fabric: 94% cotton / 6% linen.
Fabric weight: approx. 228 GSM.
Production: fabric woven in Pakistan and printed and finished in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer.
OEKO-TEX Standard 100 — certified free from harmful substances, tested for skin safety.
Martindale 35,000 rubs — rated for heavy everyday use.
The Blue Diamond wallpaper features an elegant design reflecting a quiet magic as light and water meet — sunlight through shallow water, catching algae and rock beneath the surface. Blue Diamond holds that moment of reveal, alive with shimmer, shadow, and the half-hidden glows of what dwells beneath. Crafted from durable materials and designed for easy installation, it combines style with practicality for lasting appeal.
Pattern repeat (full tile): 77.5cm x 62cm
Roll sizes: 10 m × 62 cm and 3.05 m × 62 cm.
A 25% discount is automatically applied when ordering two or more 10 m rolls.
Produced on 120gsm paste-the-wall wallpaper with a smooth matte finish, designed for straightforward installation and durable interior use on residential walls and feature spaces. Manufactured in the UK. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste.
We recommend ordering sample (or viewing in store), to confirm colour, scale and texture before purchasing. Please allow approximately 3 weeks for production and delivery, as each purchase is printed to order.
Deep Current Wallpaper Repeat features a modern organic design from the ocean, a tangle of shadow and glinting thread. Deep Current draws you into the depths, and underworlded, nature of the island bay — darkness that breathes, quiet and intricate, alive with something half-hidden. Look long enough, and the shadows burn. Crafted from durable materials and designed for easy installation, Deep Current Wallpaper combines artistry with practicality for lasting appeal.
Pattern repeat (full tile): 77.5cm x 62cm
Roll sizes: 10 m × 62 cm and 3.05 m × 62 cm.
A 25% discount is automatically applied when ordering two or more 10 m rolls.
Produced on 120gsm paste-the-wall wallpaper with a smooth matte finish, designed for straightforward installation and durable interior use on residential walls and feature spaces. Manufactured in the UK. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste.
We recommend ordering sample (or viewing in store), to confirm colour, scale and texture before purchasing. Please allow approximately 3 weeks for production and delivery, as each purchase is printed to order.
After water recedes, its patterns linger — movement stilled and inscribed in stone. Ancient tides seem to turn within the rock; lines of sediment trace the gestures of vanished currents, mapping motion’s memory.
Here, earth and sea exchange forms. What was once liquid becomes weight; what was once force becomes pattern. In the hush after tide, Earthen Currents invites me to witness how land itself moves — slowly, imperceptibly — shaped by a shared, enduring pull. A silent choreography unfolds beneath my feet, where the memory of water is written in earth.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
A mat of seaweed and seagrass — dark wiry strands, branching black lace, with threads of peach, copper, and pale yellow-green woven in a wild, organic tangle. I am drawn to the intricate weave of textures, where chaos becomes pattern and tapestry forms from the debris.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
The air moves in slow chords across the field, stirring what lies between stillness and storm. Branches twist, grasses bow — everything tuned to the same invisible pull. Even silence has its current.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet, tactile presence.
Where tide and light withdraw together, the surface holds what remains — a shimmer caught between motion and memory. Afterlight rests here, soft and slow, the sea’s breath of gold.
Paper: Hahnemühle Photo Rag Metallic, with a quiet, pearlescent shimmer that lets the light shift gently as you move.
A green corridor between worlds — where air thickens, blossoms blur, and moss catches the shimmer of small wanderers. The veil feels thin here, the wild alive with quiet watching.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet, tactile presence.
Twisting toward the wind, the tree holds its ground — roots deep in sand, branches etched against the light. A patient watcher of storms and seasons, standing between earth and air.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Close to the edge, the branches lean into the wild of weather’s force — shaped by wind, rain, and salt until their gestures echo the air and the landscape catches breath. These trees no longer shelter so much as carve the space between, their forms both boundary and offering. Wind Carved traces the living edge — a container held open to what moves through it, an invitation to stretch beyond.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Soft fragments of seaweed and leaf gather together in dusty pinks and greys — asking me to stay. Faded fronds curl among brittle leaves, echoing the delicacy of petals after bloom. In this meeting of salt and earth, colour lingers like memory — fleeting, tender, and alive in its passing.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Scarlet Drift captures the quiet choreography of seaweed, light, and water — a tangle of red and rose tones in conversation with the tide. It feels both radiant and grounded, a small fragment of the ocean’s dance.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Tangled Flame unfolded slowly — what once felt too intense has become magnetic. Its shifting light and layered textures feel visceral, almost alive, moving between warmth and stillness. A reminder that beauty often begins in what unsettles us and becomes luminous when we stay.
Available on:
Paper: Canson Baryta Photographique II Matt, a smooth, museum-grade paper with a soft sheen, offering rich colour, deep blacks, and fine detail.
Alupanel (premium): A fine art print flush-mounted on a rigid aluminium panel, clean, frameless and ready to hang. It holds colour at archival standards, sitting flat and close to the wall with a quiet physical presence.
Black weed tangled with sand — unexpected, witnessed as found. The dark strands hold their scatter of gold, not dusting off the sand, catching light without pretence. Speckled Gold stays close to what’s real — a quiet exchange of sun, salt, shadow, and grain.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): A fine art print flush-mounted on a rigid aluminium panel, clean, frameless and ready to hang. It holds colour at archival standards, sitting flat and close to the wall with a quiet physical presence.
A salt-bleached relic lies where the ocean releases, but never fully relinquishes. Sand pools in its quiet hollows; salt has worn it smooth, patient as breath.
Sea's Keeping is a moment suspended—caught between belonging and surrender. Here, the sea returns what it cannot keep, yet never truly gives it back. What’s left is a memory shaped by tide and time: a pause between loss and homecoming.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
A tangle of coastal branches frames a fleeting flash of blue — sea and sky glimpsed through the wild weave of trunks shaped by wind and time. In this moment, the landscape both conceals and reveals: the red rocks hidden beneath, the promise of water just beyond reach.
Glimpse of Blue honours Millowl’s quiet magic — where openings appear unexpectedly, and a single shaft of light transforms everything I see. It speaks to those moments when I pause, look closer, and find beauty at vision’s edge — waiting to be revealed.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
A giant kelp holdfast — glossy, black, and intricate — lies washed ashore, its tendrils curling around a hollow that once gripped rock. Slick with salt and loss, it echoes the work of attachment: unlike roots, kelp does not grow into what it clings to; it holds fast only by touch. Around it, soft pink weed gathers like breath after letting go.
Dark Bloom lingers in that space between holding and release, where even what has lost its hold still carries the memory of touch — a quiet paradox of how life anchors itself to shifting ground, and how even the strongest hold is made to let go.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
Premium: Customwood — your fine art print mounted on a 9mm customwood panel, smooth and strong and with a tactile, woody warmth. Sits flush to the wall, no frame and ready to hang.
Lichen is a collaboration written across bark — fungus, algae, water, and air living as one slow body. It grows where others can’t, patient as stone, soft as breath.
I reflect here on my own ancestral work: the long weaving of relationship, the quiet tending of thresholds where worlds meet.
Available in 10 × 8 inches only.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
Where water meets stone, the earth writes in layers. Mineral and memory mingle; the rock bears the gestures of flow, and the soft abrasion of time turns visible.
Taken at dusk, when light drops and surfaces gleam with quiet depth, Etched Time traces a conversation between what endures and what moves. Each line, each stain of colour, carries the sea’s calligraphy — an ongoing wash of erosion, patience, and return.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Bower spinach, an edible groundcover that grows profusely on the island, moves across the dunes like a tide of green. It drapes with grace and quiet persistence over branches and fallen trunks — an act of co-creation, transforming each into a new form.
In The Gathering, new characters emerge and seem to speak together — a conversation, perhaps, between plant, water, and time.
Paper: Hahnemühle German Etching — a softly textured, matte surface that holds depth, detail, and light, with a quiet tactile presence.
Its names are less known than its presence — a quiet bend where the water runs tea-dark from sand and root. It carries stories older than any map, still held in the curve of the land. Here, at the edge of the Ventnor dog beach, the world slows to scent, sound, and movement. The dogs already know what we forget — how to revel in the senses, how to play, watch, and make contact. In the dance of tannin and tide, the creek moves quietly, speaking to those who listen.
Available on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
At the margin where rock meets tide, sunlight dances through shifting water, weaving colour, shadow, and motion into a living mosaic. Each flicker of light refracts across the stone, revealing moments of quiet radiance, sparkle and stillness. Shimmering Edge captures an instant of attention at nature’s smallest scale, where beauty gathers not in vast horizons but in the delicate play between movement and pause.
Available in 8×10 only.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
From Saltwater Creek to Red Rocks, this image holds the drift of water and air — where silver light gathers in slow tides and currents. Remembering this particular kind of morning light doesn’t photograph easily, and then sometimes it does. A cool silvering, the whole surface fractured and glittering. Quiet.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
At Berry’s Beach, facing the wildness of the Southern Ocean, the bay’s shelter falls away. Waves here crash and pull, and yet within the surge a quiet stillness remains. The body yields into colour as it watches — mauves and ember-rose — as internal tides align with the outer and light threads the water’s surface. A meeting of fire and water.
Paper: Canson Baryta Photographique II — brings the luminous depth and colour richness of traditional darkroom printing to archival fine art photography.
Some days it reads as silver. People speak of silver waters.
On others, the light breaks open into diamonds — and sometimes, pink diamonds. I call this Magic Diamonds.
As summer comes and goes, the relationship between light and water shifts in Westernport Bay — longer days, sparkle and shimmer, and moments that stop you mid-stride.
Available in 8 × 10, on:
Paper: Hahnemühle Photo Rag Metallic — the weight and metalic surface renders highlights with luminosity — depth in the darks, brilliance in the lights.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
A short-tailed shearwater takes flight, its body radiant against the air. Each year, these birds migrate from Millowl (Phillip Island) to Alaska — a 30,000 km journey — and return. The chicks make the journey alone, after just a few weeks on their own — without being shown the way. Their flight speaks to forms of embodiment and connection we can barely comprehend. In Liminal Wild, Shear Brilliance celebrates this brilliance of being, where the ordinary seabird becomes an uncanny crimson presence, reminding us that what is most familiar can also be most extraordinary.
Available in A4 only, on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Oil painting on Canvas.
71cm x 71cm
In a quiet bend where creek and tide draw close, Inlet lingers with deep, tannin-rich water that moves in slow conversation with land. Reeds lean into the current, catching what light slips across the surface, while the sandy edge dissolves into warm reds and purples shaped by flow, silt, and time. This work sits inside the same landscape as the photograph I titled Tannin Creek — my renaming of the so-called Boat Creek. Both hold deeper stories of this place, as the creek’s curve carries histories not visible at the surface. Here, colour presses into shadow, movement thickens, and the meeting of water and land becomes a kind of remembering: the earth’s quiet intelligence revealing itself through subtle shifts in tone, texture, and depth. In Inlet, the viewer is invited to trace the darkening waters, the tangled reeds, and the slow unfurling of a tidal creek — feeling the pull of a landscape always in motion, while balancing the weight of what flows deep beneath the surface.
A weedy seadragon drifts through the waters of Millowl (Phillip Island), its leaf-like fins giving it the appearance of seaweed in motion. Endemic to southern Australian waters, these relatives of seahorses are masters of disguise, moving with delicate precision yet carrying an otherworldly beauty. In Liminal Wild, Dragon of the Deep lingers in that threshold between real and unreal — where a local species becomes mythic presence, and the unseen world of the ocean presses close against our own.
Available in A4 only, on:
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
Alupanel (premium): Mounted as a fine art semi-gloss print on a rigid aluminium panel, this format combines depth and luminosity with archival colour stability. It arrives clean, frameless and ready to hang, sitting flat and close to the wall with a quiet physical presence.
Oil on canvas.
46cm x 36cm
Amid a vivid, Rousseau-like backdrop of botanicals, a bird comes to rest. It holds presence with quiet gravity, its feet planted firmly on its landing as the scene around it shimmers with dreamlike intensity. In Liminal Wild, Magic Landing lingers in the tension between the imagined and the embodied — where arrival is both magical and real, fleeting and grounded, and where flight into beauty carries its own weight.
Oil paintng on canvas.
76cm x 61cm
Lush and rich, this painting lingers at the threshold between what is real and what is imagined. Its stylised botanicals echo Rousseau, evoking enchantment while recalling lenses through which colonial painters framed new landscapes as exotic and unfamiliar. Here, the scene shifts: the bird, and a hidden figure beyond it, return the gaze in stillness and silence. The work unsettles how beauty is seen - and is itself the seer.
Acrylic painting on canvas.
30cm x 30cm.
Within the grove, light shifts and shadows play, the air holding a quiet stillness. A fallen branch lies across the ground, a trace of storms that bring both wreckage and renewal. The forest floor receives what falls. In Inside Edges, Within the Grove reflects the refuge and containment of sheltered places, and gently balances the unease that stirs as witness at the edges.
Oil painting on canvas.
51cm x 41cm
Crimson waratahs flare brightly, their petals dense and luminous in the frame. Yet among this richness, a crow holds its place. Its dark form unsettles the bloom-filled scene, shifting it from mere celebration into something more watchful. Often imagined as a messenger, here the bird is also a witness — turning its gaze outward, meeting our own. The painting asks what it means to encounter beauty under watch, where the viewer is no longer only the observer but also the one observed.
Acrylic painting on canvas.
51cm x 41cm.
Beneath the ocean waters, forms dissolve and reform in shifting play — seen and unseen, familiar and unknowable. Immersion here opens into mystery, where what surrounds us cannot be fully held yet holds us and reverberates through our senses. These echoes are not only of the sea but of ourselves, swimming at the edges of our awareness. Echoes of the Deep moves between the ocean’s wild strangeness and the mysteries that persist just out of reach, or surfacing in ways we cannot always name.
Acrylic on canvas.
46cm x 46cm.
This painting gathers memories of water and light — from lily pads and stone-edged pools in Kakadu, on Bininj/Mungguy Country, to shimmering fish in ponds — shaped first by post-war Europe — encountered among the ferns and gullies of Wurundjeri Country. The trees themselves are imaginal, conjured into being to hold a dance of light and shade. They invite the viewer to linger, to delight in the shadows, and to dip gently within the pleasures of the senses.
Acrylic painting on canvas.
On Millowl (Phillip Island), on Bunurong/Boon Wurrung Country, dusk gathers over the penguin colony at Summerland. Once covered by houses, this land was reclaimed to protect the birds — a return of sorts, where the colony could swell again in sound and number. Yet the word “colony” holds a double weight: for the penguins, fragile survival and return; for the settlers, the imprint of occupation, tourism, and the heaviness of infrastructures still laid across the land. In Liminal Wild, this painting lingers in that unsettled space, where beauty and survival move against the weight of human impacts and contested belonging.
Oil painting on canvas.
91cm x 91cm.
Within the lands and waters of the Kulin Nation, Magic Beach, Walkerville shows a hidden beach in this quiet coastal town, revealed only at low tide and opening towards Wilson’s Promontory.
Alison Lester’s beloved children’s book Magic Beach drew inspiration from this same place, weaving it through stories of childhood wonder. This painting explores that sense of enchantment in the meeting of sea and land, holding how beaches can be experienced as idyllic and magical, yet carry hidden stories of invasion and resistance.
“All water has a perfect memory and is forever trying to get back to where it was.” — Toni Morrison
From branches of Millowl's coastline, twisted by wind and salt, woven into an immersive, trance-like pull. Within a wild weave of trunks openings appear unexpectedly, a glimpse of blue transforms and holds. Woven Time will draw you in and, if you let it, keep you there.
Pattern repeat (full tile): 62 cm.
Roll sizes: 10 m × 62 cm and 3.05 m × 62 cm.
A 25% discount is automatically applied when ordering two or more rolls.
Produced on 120gsm paste-the-wall wallpaper with a smooth matte finish, designed for straightforward installation and durable interior use on residential walls and feature spaces. Manufactured in the UK. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste.
We recommend ordering a sample (or viewing in store) to confirm colour, scale and texture before purchasing. Please allow approximately 3 weeks for production and delivery, as it is printed to order.
Branches of Millowl's coastline, twisted by wind and salt, woven into an immersive, trance-like pull. Within a wild weave of trunks openings appear unexpectedly, a glimpse of blue transforms and holds. Woven Time will draw you in and, if you let it, keep you there.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-line blend retains richness while maintaining a natural, slightly textured finish. It drapes well on the table while remaining structured enough for everyday use, making it well suited to a wide range of home textiles including tablecloths, runners, napkins, cushions, curtains, wall hangings, and other home accessories.
Ordering information:
Fabric is sold in pattern repeat increments with a minor allowance to preserve the integrity of the design. The minimum order is three repeat lengths (1.4 m). Fabric is supplied as a continuous length and pattern placement may vary slightly depending on how the fabric is cut.
This design can be ordered via email at any length (by repeat) or in a wider range of fabrics. The price for cotton linen (here), a lighter organic cotton or a durable recycled and organic cotton blend is $30 per 45cm repeat length. The price for velvet is $45 per repeat length, or linen $55 per repeat length. Get in touch for details on these or other fabric options.
Pattern repeat: 45 × 45cm
Fabric composition: 94% cotton / 6% linen.
Fabric weight: approx. 228 GSM.
Printable width: approx. 138 cm.
Production: fabric woven in Pakistan with printing and finishing completed in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer.
Certification: OEKO-TEX Standard 100 (11-29208) — certified free from harmful substances, tested for skin safety.
Durability: Martindale test result approx. 35,000 rubs — rated for heavy everyday use.
Saltwoven draws from the edge where things gather — seaweed, grasses, fragments carried and caught. Across the table, it becomes a field of quiet movement. Dense, layered, and slightly wild, light moves across it, pulling out deep maroons, salt greys, and shadowed blues. A living surface for living otherwise.
This hemmed tablecloth is made from a durable cotton–linen fabric with a natural woven texture that gives printed designs depth and softness.
Each tablecloth is 1.95 × 1.35m, cut from the printed fabric and finished by me with a stitched double-fold hem with mitred corners. It works beautifully on round and oval tables (as pictured), as well as standard tables within these dimensions — and custom sizes can be made to order.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-line blend retains richness while maintaining a natural, slightly textured finish. It drapes well on the table while remaining structured enough for everyday use, making it suitable for daily meals, gatherings, and layered table settings.
Fabric: 94% cotton / 6% linen.
Fabric weight: approx. 228 GSM.
Production: fabric woven in Pakistan and printed and finished in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer.
OEKO-TEX Standard 100 — certified free from harmful substances, tested for skin safety.
Martindale 35,000 rubs — rated for heavy everyday use.
The Salt Flowers Wallpaper Mural features a stunning seaweed design, creating a distinctive and striking elegance in any space. Westernport Bay is well known for its algae. I used to avoid the bay for this reason — a visceral response based deeply in the body, rationalised later as a fear of the unseen. If this is you, Salt Flowers is an invitation to look again — to see it, celebrate it, touch it, even sleep with it. Welcome its presence and companionship.
The Salt Flowers artwork is supplied as numbered vertical panels for straightforward installation. Murals are sized to suit individual walls and priced according to dimensions. Layout and final panel configuration will be confirmed when preparing your quote. Pricing is structured on a 62 cm panel basis but may vary with individual orders. A 25% discount is automatically applied when ordering two or more 10m rolls.
Produced on 120 gsm paste-the-wall wallpaper with a smooth matte finish, designed for durable interior use on residential walls and feature spaces. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste. Manufactured in the UK. Allow approximately 3 weeks for production and delivery, as each mural is printed to order.
Salt Flowers print on Velveteen Cushion: This cushion is printed on velveteen, a plush fabric with a soft, velvet-like surface that gives printed designs depth and texture. Each cushion cover is printed on both sides with related images, allowing it to be turned and styled in different ways. Size: approx. 45 cm × 45 cm.
Fabric composition: 100% polyester velveteen.
Fabric weight: approx. 390 GSM.
Fabric surface: soft velveteen pile with low sheen after printing.
Printing: eco-solvent sublimation printing producing permanent colour embedded in the fabric.
Durability: highly durable with approx. 80,000 double rub count.
Production: printed on demand through a textile manufacturer in Montreal.
Care: machine wash warm on a regular cycle using a phosphate-free detergent. Machine dry medium to high heat or hang to dry. Iron on synthetic setting if required.
Velveteen Cushion
Petal and Magic Diamonds
Size: 18 × 18 inches (approx 45 cm × 45 cm).
Insert not included.
Petal and Magic Diamonds are my original art images printed here on both sides of a velveteen cushion. This fabric has a soft, velvet-like surface that gives printed designs depth and texture. You will want to touch it.
Fabric composition: 100% polyester velveteen.
Fabric weight: approx. 390 GSM.
Fabric surface: soft velveteen pile with low sheen after printing.
Printing: eco-solvent sublimation printing producing permanent colour embedded in the fabric.
Durability: highly durable with approx. 80,000 double rub count.
Production: printed on demand through a textile manufacturer in Montreal with a focus on ethical labour practices and responsible production.
Immersive rather than subtle, the room changes when Mineral is in it. Colours shift with the light — purples, blues, warm stone and sand that read differently morning to evening, lingering in the senses like a beach walk at dusk. Crafted from durable materials and designed for easy installation, Mineral Wallpaper combines artistry with practicality for lasting appeal.
Pattern repeat (full tile): 77.5cm x 62cm
Roll sizes: 10 m × 62 cm and 3.05 m × 62 cm.
A 25% discount is automatically applied when ordering two or more 10 m rolls.
Produced on 120gsm paste-the-wall wallpaper with a smooth matte finish, designed for straightforward installation and durable interior use on residential walls and feature spaces. Manufactured in the UK. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste.
We recommend ordering a sample (or viewing in store), to confirm colour, scale and texture before purchasing. Please allow approximately 3 weeks for production and delivery, as each purchase is printed to order.
Immersive rather than subtle, the room changes when Mineral is in it. Colours shift with the light — purples, blues, warm stone and sand that read differently morning to evening, lingering in the senses like a beach walk at dusk.
This hemmed tablecloth is printed on EcoDrill — a durable mid-weight cotton with a soft structure and subtle twill weave — the design settles into the fabric rather than sitting on top of it.
Each tablecloth is 1.75 × 1.5m, cut from the printed fabric and finished by me with a stitched double-fold hem with mitred corners. t works beautifully on round tables (as pictured), as well as long tables within these dimensions — and custom sizes can be made to order.
The Eco Drill fabric uses a natural base to avoid extra bleaching, decreasing water consumption in production. The natural base tone supports the rich colour while allowing the character of the fabric to remain visible, making it well suited to everyday use while still feeling special on the table. The fabric has enough weight to drape well while remaining easy to handle, making it suitable for both daily meals and more considered table settings, while the coastal abstract pattern works beautifully across larger surfaces.
Fabric: Mineral EcoDrill (75% organic cotton / 25% recycled cotton).
Fabric weight: approx. 213 GSM.
Production: fabric woven in Pakistan and printed and finished in Melbourne, Australia, by an Ethical Clothing Australia (ECA) accredited printer.
Fibre sources: recycled cotton from pre-consumer textile waste and organic cotton grown under Global Organic Textile Standard (GOTS) certification.
Where the tide withdraws and light transforms, the surface holds what remains — a shimmer caught between motion and memory. Lustre rises at the island's tideline, the sand and sea of dusk, breath turned to gold.
Pattern repeat (full tile): 62 cm.
Roll sizes: 10 m × 62 cm and 3.05 m × 62 cm.
A 25% discount is automatically applied when ordering two or more rolls.
Produced on 120gsm paste-the-wall wallpaper with a smooth matte finish, designed for straightforward installation and durable interior use on residential walls and feature spaces. Manufactured in the UK. Printed to order using water-based inks through a made-to-order production process that helps reduce excess inventory and material waste.
We recommend ordering a sample (or viewing in store) to confirm colour, scale and texture before purchasing. Please allow approximately 3 weeks for production and delivery, as it is printed to order.
The sun’s flame sinks at the horizon as the tide lifts and rises, each carrying wild forces of change. Caught between flame and sea, the scene becomes a threshold — luminous, unsettled, urgent and yet still. Flame and Tide reflects the energy of place, never contained or containable, speaking to beauty, the past, and to the uncertain futures pressing against us.
Art Print on Fabric
25 x 20 inches printed plus allowance for hanging
Flame and Tide is printed on a cotton–linen fabric with a natural woven texture that gives printed designs depth and a softly structured finish. Can be framed or hung on a rod as a textile art panel. Available in custom sizes.
Deep Current draws you into the depths and underworld nature of the island bay — darkness that breathes, quiet and intricate, alive with something half-hidden. A modern organic design from the ocean, a tangle of shadow and glinting thread. Look long enough, and the shadows burn.
Printed using water-based pigment ink directly onto fabric — a dry process that uses no water and produces no waste ink during printing. The fabric has a natural background colour that warms the print. The cotton-linen blend retains richness while maintaining a natural, slightly textured finish, with subtle slubbing on the thicker yarns creating surface texture through the weave. It drapes well and remains structured enough for everyday use, making it well suited to a wide range of home textiles including tablecloths, runners, napkins, cushions, curtains, wall hangings, tea towels and other home accessories.
Ordering information: Fabric is sold in pattern repeat increments to preserve the integrity of the design. The minimum order is two repeat lengths (1.4m). Fabric is supplied as a continuous length and pattern placement may vary slightly depending on how the fabric is cut. This design can be ordered via email at any length (by repeat) or in a wider range of fabrics. The price for cotton linen (here), a lighter organic cotton or a durable recycled and organic cotton blend is $45 per repeat length. The price for velvet is $55 per repeat length, or linen $65 per repeat length. Get in touch for details on these or other fabric options.
Pattern repeat: 68 × 68cm
Fabric composition: 94% cotton / 6% linen
Fabric weight: approx. 228 GSM Printable width: approx. 138cm
Production: fabric woven in Pakistan; printed and finished in Melbourne, Australia by an Ethical Clothing Australia (ECA) accredited printer
Certification: OEKO-TEX Standard 100 (11-29208) — certified free from harmful substances, tested for skin safety
Durability: Martindale test result approx. 35,000 rubs — rated for heavy everyday use
Among the Waratahs
Art Print on Fabric2
5 x 20 inches printed plus allowance for hanging
Crimson waratahs flare brightly, their petals dense and luminous in the frame. Yet among this richness, a crow holds its place. Its dark form unsettles the bloom-filled scene, shifting it from mere celebration into something more watchful. Often imagined as a messenger, here the bird is also a witness — turning its gaze outward, meeting our own. In Liminal Wild, the painting asks what it means to encounter beauty under watch, where the viewer is no longer only the observer but also the one observed.
Among the Waratahs is printed on a cotton–linen fabric with a natural woven texture that gives printed designs depth and a softly structured finish. Use it as a wall panel, frame it, or turn it into a cushion cover.
In the shallows, trees lean into themselves — mirrored and swaying. Light slips between their forms, folding water and wood into a single trembling image. For a moment, the world forgets which side is real.
Paper: Hahnemühle German Etching — a softly textured, matte paper that holds depth, detail, and light, with a quiet tactile presence.
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